Unravelling the mysteries
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Click on the numbers under each picture to see a larger version

Written by Alfredo Villanueva-Collado, Ph.D.

Photos © Abersio Núñez


Kralik25S.jpg (8706 bytes) Kralik26S.jpg (7706 bytes) Kralik27S.jpg (7216 bytes) PMC IV:269 shows a vase in green glass covered in blue/green glass powder an a pattern of vertical, raised dots and lines (photos 25-27).  I named the bowl on photo 26 the "sea urchin" for it looked like the skeleton of a sea-creature.  Photo 27 shows a rare example of this Kralik surface pattern in pink glass.
25 26 27


Kralik28S.jpg (8363 bytes) Kralik29S.jpg (7589 bytes)
When I wrote NATS, I classified what is perhaps the largest and most massive piece in my collection, a 15" hourglass vase with Celtic entrelac bronze girdle and handles (Photo 28), as Pallme-König. Robert Truitt, in his letter to GCD, pointed out that there was a similar piece at the Passau Museum, classified as Kralik.  The PMC IV:271 shows a small square vase in what is called "a typical Eleonoranhein combination of iridescent yellow and violet." Photo 29 shows a 13" vase in this combination plus a cruet showing the cobalt blue-violet combination of the bowl in PMC IV 273. A smaller version of my vase, same shape minus handles, can be seen on Jeff Weller’s site.
28 29


Kralik30S.jpg (5076 bytes)
Photo 30 shows two inkwells, invested with a strong violet iridescence. Loetz made inkwells, but the ones I have seen illustrated are usually luxury items in "phänomen" glass. I am sure most of the "Loetz" inkwells on the market were actually produced by Kralik and other manufacturers.


Photos 31, 32, show a previously undocumented variant: gold over clear, blue glass flecks (called in German "Stäbchensplitter," bacillus-rod" splinters). Photo 33 shows two handled jars. The right-hand one shows another previously undocumented variant: golden glass/clear with randomly looped violet lines. Kralik31S.jpg (5919 bytes) Kralik32S.jpg (6218 bytes) Kralik33S.jpg (6696 bytes)
31 32 33


Photo 34, right, shows a second cruet, in gold/clear with looped violet decor-ation. Brohan , N. 372, shows a larger version of it, attributed in Die Kunst 4 (1901) to the studio of Koloman Moser and J.M. Olbrich for Bakalowitz (coincidentally, 369 and 270 correspond to the PMC IV: The vase on the left, showing the same "typical Eleonorenhain"combination, must then be Kralik.
Kralik34S.jpg (6581 bytes)


Kralik35S.jpg (6247 bytes) Kralik36S.jpg (7492 bytes)
The three vases in Photo 35, 36 are blue/gold/clear, blown from the top (no pontils), like the vase in Photo 34. Here we have a particular color combination in two distinctive decorations: clear glass with golden iridescence and glass splinters or flecks and random concentric lines in either violet or blue. A Phillips catalogue from June 10, 1998, lots 127 and 129, features two blue trailings/gold cylindrical vases from this line, (though the glass is described as "green"), in elaborate metal frames. They are attributed to "Loetz", in the range of $1,200-1,800.
35 36



In a European glass catalogue I found a vase (see b/w picture) belonging to this family, whose shape corresponds to the left hand vase in Photo 38: beige glass powder/clear and a distinctive stylized leaf decoration.. I have seen a variant of the right-hand vase in "Helios" glass.
The PMC:267 shows a bowl in silvery yellow glass powder over clear glass, and wide randomly placed bands in blue-green glass The two vases in Photo 37 show further examples from this particular line.

Kralik37S.jpg (7067 bytes) Kralik38S.jpg (6752 bytes)
37 38

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